A self-portrait inspired by Salvador Dalí’s Christ of Gala (1978), this image reinterprets the crucifixion through the lens of classical and surrealist references. The figure appears suspended above an ethereal backdrop, where the Discobolus of Myron — a Roman copy of the Greek original — subtly emerges, evoking themes of sacrifice, beauty, and timelessness.
Proportions 1.50:1
